Archive for Creative & Cultural Industries

National Performing Companies – Report on activity 2009/10

This report was published in February 2011.

“Scotland’s 5 National Performing Companies are now in their 4 th year of a direct funding relationship with the Scottish Government which started in April 2007.

This report is intended to highlight the key achievements and operating outcomes of all 5 Companies during the period 2009/10.

There are 5 National Performing Companies:

  • National Theatre of Scotland ( NTS)
  • Royal Scottish National Orchestra ( RSNO)
  • Scottish Ballet
  • Scottish Chamber Orchestra ( SCO)
  • Scottish Opera

The Companies make a significant contribution to cultural life both in Scotland and internationally. They operate on a scale which distinguishes them from other performing arts organisations in Scotland and which gives them a major presence on Scotland’s largest stages and concert halls. They work on a variety of scales to deliver their performance and education programmes to as many of Scotland’s communities as possible. The international profile of the Companies is confirmed by the performances, concerts and events they are invited to make by renowned venues and presenters across the globe.

In 2009/10 the National Performing Companies gave 692 performances and delivered 4,141 education events. During this period 383,643 people saw the Companies perform and there were 105,542 participations in their outreach and education programmes.

The National Performing Companies help to deliver the Scottish Government’s policy commitment to ‘support the arts, culture and creativity; and to maximise access to, appreciation of and participation in, the arts, culture and creativity’, 1 in partnership with the many and diverse performing arts organisations operating in Scotland, some of which are funded by Creative Scotland.

The relationship between the Scottish Government and the 5 National Performing Companies is managed by the Cultural Excellence Team within Culture Division. The relationship between the 2 parties, which continues to be productive, informed, open and mutually respectful, is aided, in part, by the inclusion in the sponsorship team of a secondee from outwith the Scottish Government with extensive performing arts experience.

Whilst no longer in a direct funding relationship with Creative Scotland, the 5 National Performing Companies and Creative Scotland are working together to ensure that a cohesive and strategic approach to access and delivery can be achieved across Scotland.

The 5 Companies received an increase of 2% in 2009/10 bringing the total revenue grant from the Scottish Government to the Companies to £24.25 million.”

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Scottish Digital Network Panel Final Report

This report was published in January 2011.

“The Panel was asked to make recommendations on how a Scottish Digital Network could be established and funded, taking as a starting point the conclusions of the Scottish Broadcasting Commission. The key requirement for the SDN is to “provide a secure and sustainable source of competition to the BBC for public service broadcasting within Scotland”.

This means three things are essential for the SDN:

1. A very clear PSB role with guarantees on the nature and quality of the service.

2. Secure and adequate funding that is not subject to dramatic variation

3. A high degree of visibility and universal availability to audiences.”

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Digital Economy Bill – A Rushed Job?

The Digital Economy Bill was rushed through the House of Commons last night in the “wash-up period” before the General Election in May. The controversial clause 18 didn’t make it, but read more here about what did.

The Department of Business Innovation and Skills (BIS) has a comprehensive section on the progress of the Digital Economy Bill and its contents.

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Encouraging Digital Access to Culture

This report was published March 2010.

The Department of Culture, Media and Sport have published this report which follows on from the Digital Economy Bill. The aim is to encourage new audiences to arts and culture through the use of digital media, and to support institutions in the development of new technologies as they reach out to wider audiences.

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Digital Economy : Impact assessments

This Bill was published March 2010.

The Bill seeks to maximise the benefits from the digital revolution by addressing four broad areas:

• A competitive digital communications infrastructure: to strengthen and modernise the country’s communications infrastructure by enhancing Ofcom’s duties in relation to investment in infrastructure and content, providing Ofcom with additional powers to support the modernisation of the mobile network spectrum and making changes to the radio licensing regime to support the move to digital radio

• Creative industries in a digital world: to make the UK one of the world’s main creative capitals by taking action to tackle online infringement of copyright, and updating the regulation of copyright licensing and public lending right for the digital age

• Public service content in Digital Britain: to ensure the provision of engaging public service content by supporting the provision of news in the nations, locally and in the regions, updating Channel 4 Corporation’s functions and allowing the future-proofing of the Channel 3 and Channel 5 licences

• Digital security and safety: to ensure that everyone can work online with confidence and safety by putting age ratings of boxed computer games on a statutory footing for ratings of 12 years and above, and supporting the efficient and effective management and distribution of Internet domain names.

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Public Attitudes to Broadcasting 2009 – Research Findings

These research findings were published on 1st February 2010.

“This Research Findings provides key findings from a survey on public attitudes to broadcasting in Scotland, which follows a previous survey carried out 18 months before. The Findings report on any changes in attitudes on broadcasting from the previous survey, views on a proposed new digital channel in Scotland, and views of the Scottish population towards radio broadcasting.]

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Public Attitudes Towards Broadcasting in Scotland 2009 [report]

This report was published on 1st February 2010.

“This report provides the latest information on public attitudes to broadcasting in Scotland, following a survey carried out 18 months before, and reports on any changes in attitudes, views on a proposed new digital channel in Scotland, and views of the Scottish population towards radio broadcasting.”

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Creative Industries Key Sector Report

This report was published on 2nd December 2009.”

This report includes an overview of the sector, the challenges and opportunities facing the creative industries, public interaction and effectiveness and international aspects.”

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Creative Industries, Creative Workers and the Creative Economy: A Review of Selected Recent Literature

This report was published on 2nd December 2009.

“This report reviews the themes emerging from selected recent literature to inform a more detailed understanding of the creative industries, primarily by considering the experiences of those working the sector. By reflecting on ways of measuring, analysing and researching the creative industries, the paper also discusses possible ways of engaging with this sector and those working in it.”

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People and Culture in Scotland 2008: Results from the Scottish Household Survey Culture and Sport Module 2007/2008

This document was published on 24th November 2009.

“Participation in arts and culture has been shown to contribute to individual well-being, self-esteem, confidence, new skills, improved mental and physical health and better educational attainment. At a community level, cultural participation can contribute to community cohesion, pride and confidence, reduce social exclusion, enhance a ‘sense of place’, renew interest in heritage and the environment, and make communities feel safer and stronger. Culture is also related to our sense of national identity and plays an important role in attracting tourists to Scotland to enjoy our cultural facilities, heritage and landscape.”

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